ELEGY - 20th century British guitar music
Two of the finest modern works for guitar - John Tavener’s “Chant” and Alan Rawsthorne’s “Elegy” which, with Terence Croucher’s piece of the same name gives the title to this collection - appear with music from several of Britain’s most accomplished composers for the instrument. Jonathan’s fourth recording, and his first for Divine Art, presents works with which he has a special affinity and demonstrates why these compositions deserve a wider audience. This recording has been kindly supported by the Rawsthorne Trust.
Our recording of John Tavener’s “Chant” from this CD was chosen to feature in a new 2CD set issued by Naxos in January 2004. Called “Portrait of John Tavener”, the CD number is 8.558160-61.
| playing time: 64:57
direct sale price: $15.99
audio sample: "Mockery" (Mosaic no.5) by John R. Williamson
J. Richards: Five Mini-Preludes;
*only available recording (in the UK) **only available recording on CD
|review extracts: for full reviews click here|
|"A really impressive performance for rhythmic precision and dynamics...The two "Elegies" and "Mel Wefus" are unforgettable" - Just Classical Guitar (Italy)|
|"A fine guitar collection...a recording that catches every tonal nuance of the instrument...on all counts, content, recording and performance, this CD is highly recommended" - British Music Society|
|"The pieces by Tavener and Rawsthorne demand our attention. Richards performs [Elegy] with remarkable concentration" - **** - BBC Music Magazine|
|"Terence Croucher’s Elegy is particularly fine… I derived most pleasure from John Tavener’s hypnotic Chant and Alan Rawsthorne’s meaty Elegy of 1971. Highly accomplished performances, one and all" - Gramophone|
|Richards's technical ability is faultless and always squarely at the service of the music at hand. This all adds up to a quite special 65 minutes that are at once an eloquent homage to the guitar and that transcend considerations of time, place and genre." - William Zagorsky (Fanfare)|
|An enterprising collection of almost completely unknown pieces which has to be applauded for its refusal to play to the crowd and just be a collection of audience-pleasers… the Tavener and the concluding Rawsthorne both receive committed performances, the Tavener in particular having many winning moments… the playing and recording are clear and vibrant - Classical Guitar Magazine (UK)|